movie film review | chris tookey
 
     
     
 

Blue Velvet


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  Blue Velvet Review
Tookey's Rating
9 /10
 
Average Rating
7.05 /10
 
Starring
Kyle MacLachlan , Isabella Rossellini , Dennis Hopper
Full Cast >
 

Directed by: David Lynch
Written by: David Lynch

 
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Released: 1986
   
Genre: UNDERRATED
HORROR
ROMANCE
THRILLER
   
Origin: US
   
Colour: C
   
Length: 120
 
 


 
An innocent young man (Kyle MacLachlan) discovers the dark underside of Middle America.
Reviewed by Chris Tookey


An odd, deliberately unpleasant film which arouses strong emotions for and against. Dennis Hopper's memorable portrayal of a sado-masochistic nutter is all the more disturbing because our young anti-hero finds himself turned on by his brand of sexual violence, and seduced away from his nice, apparently conventional girl-friend (Laura Dern).

Just as disturbing for the audience is that Hopper's female "victim" is a masochist. Isabella Rossellini's raw, painfully felt performance remains vastly underrated, perhaps out of political correctness: women are not supposed to get sexual satisfaction out of being humiliated.

Blue Velvet poses an unreal polarity of options for the hero - bland sweetness and light on the one hand, seductive darkness and depravity on the other - but the film is a refreshingly black corrective to the sugary sentiment so prevalent in most Hollywood cinema. And its visual style - a combination of garish 50s colours and the shadows of 40s film noir - remains unusual and arresting.

The plot may be unclear and the message facile, but even today the film packs a punch. It joins a small but select number of horrific rites-of-passage movies, such as River's Edge and Carrie, underrated by critics on release for the same reason: they were reviewed as though they were realistic, rather than expressionistic.

Lynch's opening image - of insects and death lurking beneath the surface of bourgeois America - says it all: this is a very pessimistic, punk film which sees the adult world from an almost hysterically adolescent point of view - it makes poetic sense only if we see all the events as filtered through the distorting mind of its young hero.


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