|
Savaged by the critics, but oddly enjoyable if you're in the mood for wallowing in sentiment and outrageous histrionics from the star - and she certainly can sing. Evergreen won an Oscar; also nominated were Robert Surtees (photography) and Roger Kelleway (music underscoring).
|
|
ANTI
|
|
Starring with Streisand is an experience which may have cured me of movies.
|
|
| (Kris Kristofferson) |
|
A bore is starred.
|
|
| (Village Voice) |
| Streisand's notion of acting is to bulldoze her way from one end of a line to the other without regard for anyone or anything; you can literally feel her impatience for the other performer to stop taIking so she can take over again. If dialogue there is, it is that between a steamroller and the asphalt beneath it... And then I realize with a gasp that this Barbra Streisand is in fact beloved above all other female stars by our moviegoing audiences; that this hypertrophic ego and bloated countenance are things people shell out money for as for no other actress; that this progressively more belligerent caterwauling can sell anything concerts, records, movies. And I feel as if our entire society were ready to flush itself down in something even worse than a collective death wish a collective will to live in ugliness and self-debasement." |
| (John Simon, National Review) |
|
The film looks very like an ego-trip for a superstar.
|
|
| (Margaret Hinxman, Daily Mail) |
|
A clear case for the Monopolies Commission.
|
|
| (Michael Billington, Illustrated London News) |
|
Updating and transposing the story-line from Hollywood to the rock world was a grave mistake; the plot's hackneyed pattern of intertwined careers... simply does not suit the unglamorous world of monster open-air concerts, thunderous decibels, drugs and groupies... The present script is distinguished only by large amounts of foul language and even larger amounts of addled sentimentality.
|
|
| (Geoff Brown, Monthly Film Bulletin) |